recent work : artist liam o’connor
May 1st, 2009 by simonridgway | No Comments

Some portraits of painter Liam O’Connor in his Cardiff studio, for a newspaper feature.
May 1st, 2009 by simonridgway | No Comments

Some portraits of painter Liam O’Connor in his Cardiff studio, for a newspaper feature.
April 9th, 2009 by simonridgway | 1 Comment

A set of portraits of TV and radio presenter Eleri Sion near her home in Barry in South Wales. These were for a profile piece in a welsh language magazine, with one shot for the cover and a couple more for inside.
April 8th, 2009 by simonridgway | No Comments

A portrait session in Swansea to illustrate a feature on Mothers’ Day in one of the Sunday supplements.
April 7th, 2009 by simonridgway | No Comments

Some portraits of Edwina Hart AM, Minister for Health and Social Services at the Welsh Assembly Government for a trade journal feature piece.
March 4th, 2009 by simonridgway | No Comments

The demolition of an old steelworks. A real photographer’s playground – twisted steel and half torn down buildings everywhere.
February 16th, 2009 by simonridgway | No Comments

Here’s my favourite picture from a shoot I did a couple of weeks ago with harpist Catrin Finch for the Independent on Sunday Review.
February 3rd, 2009 by simonridgway | 1 Comment

Here’s an example of a corporate portrait shoot with 3 completely different looks in one hour on location. That hour included scouting the location for possible shots, setting up lighting in two of those locations and packing up all the gear at the end.
January 15th, 2009 by simonridgway | No Comments

It wasn’t looking very promising to start but eventually someone persuaded them to join in with the dancing – and that’s when the pictures starting getting good!
January 15th, 2009 by simonridgway | No Comments

Some shots for Car Dealer Magazine. Shot on the owners driveway at his home and in his home office.
January 15th, 2009 by simonridgway | No Comments

I lit the inside of the shop with two hotshoe flashguns on radio remotes and let the exposure outside go dark to give a better impression of “working late”.